VrajaGopis – Mahanidhi Swami

2021, Bhagavatam Topics

Bhagavata Amritam 01 by Sri Jiva Goswamipada

Mahanidhi Madan Gopal Das

Herein we present a sweet selection of rasika-acharya, Sri Jiva Goswamipada’s Krishna prema-filled comments on the Venu-gita (Srimad Bhagavatam 10.21). By reading and studying these comments along with the verses of Venu-gita, you will attain a happy feeling in your heart, and renewed enthusiasm to love and serve Radha and Krishna more and more.

10.21.3 When the Vraja-gopis hear Shyama’s flute song, which incites Cupid’s influence, some gopis privately describe Krishna’s qualities to their intimate friends.

Sri Jiva Goswami’s tika: Seeing the autumnal beauty, Sri Krishna gets excited and practices flute playing to attract the gopis. Thus they become aroused (verse word smaraudaya), and start glorifying Krishna in this chapter. Although now Krishna is in pauganda period (5-10 years), His flute playing arouses amorous desires in the gopis because it magically manifests the kaisora age (10-15).

Not only ladies but all living entities in Vraja become immensely attracted (verse word sarva-bhuta-manoharam) to Krishna’s venu-nad. For Yashoda, it arouses vatsalya, motherly affection, and not smara or amorous intimacies. But for Radha it is smara, and thus Sriji herein reveals Her mental anguish to Her confidantes like Lalita-sakhi.

10.21.4 While speaking about Krishna, the damsels of Vrajabhumi remember His lilas. The power of Cupid, however, arises to agitate their minds and then they stop speaking.

Sri Jiva Goswami’s tika: This verse describes the sequence of rising love. Although they try, because of love’s impulses (verse word smaravegena), the gopis become mum. They simply think about that “heart stealer”, Muralimanohara, again and again.

10.21.5 Featuring a peacock-feather ornament upon his head, yellow karnikara flowers on his ears, a brilliant golden yellow garment, and a Vaijayanti garland, Sri Krishna looks like the best of dancers as He prances into Vrndaranya, beautifying it with the unique marks of his footprints. As Krishna fills the flute with the nectar of his lips, the gopas sing his glories.

Sri Jiva Goswami’s tika: Among all the sakhas, Govinda is most attractive, and even more so because now Krishna is dressed as a dancer (verse word natavesa). Filling the flute with the nectar of his lips means Krishna’s flute song is as attractive as Krishna’s adharamrta. The verse word vrndaranya means that sakhi Vrnda-devi has already cleaned and specially decorated the forest to stimulate Krishna’s lilas. The presence of Krishna’s extraordinary 19 footprints in the forest of Vrndavana gives bliss (verse word ramanam), to everyone especially Vrnda-devi. And the charming, soft dust, fragrant flowers, leaves etc. give delight (ramanam) to Radha-ramana’s lotus feet.

The verse describes Krishna’s natural adornments of feathers, leaves and Vraja flowers, and not His usual gold and pearl necklaces etc. Why? Because upon entering Vrndaranya, Krishna sets these aside in preference to decking Himself out with Vraja’s natural opulences of leaves, flowers, feathers, mineral pigments and gunja berries. Krishna is also sporting only forest decorations as appropriate for the first day of His Autumnal pastimes.

10.21.6 When the young Vraja-gopis hear Krishna’s venu, which steals the minds of all living beings, they embrace each other and describe it.

Sri Jiva Goswami’s tika: All the gopis (verse word vraja-striyasarva) indicates all degrees of attachment to Krishna i.e. deep, medium and light. Some gopis mentally embrace (verse word abhirebhire) Krishna who is seizing their hearts. Or due to arising love, other gopis mistake their sakhis to be Krishna and embrace them. And some sakhis embrace each other because their natural love is awakened.

Venu-gita ki jai! Sri Jiva Goswamipada ki jai!

Radha-Govinda Yugala ki jai! Jai Jai Sri Radhe!

2021, Bhagavatam Topics

Bhagavata Amritam 03 by Sri Jiva Goswamipada

Mahanidhi Madan Gopal Das

Herein we present a continuous sweet selection of tikas from the great rasika-acarya, Sri Jiva Goswamipada’s Krishna prema-filled comments on the Venu-gita (Srimas Bhagavatam 10.21). By reading and studying these comments along with the verses of Venu-gita, you will attain a happy feeling in your heart, and renewed enthusiasm to love and serve Radha and Krishna more and more. Jai Jai Sri Radhe!

Srimad Bhagavatam 10.21.11

Translation: The gopis say, “Blessed are all the less intelligent deer because, on hearing the sound of Krishna’s flute, they and their husbands do the best worship by glancing affectionately at Nandanandan, who is gorgeously dressed.”

Sri Jiva Goswamipada tika: Such is the glory of Vrindavan that all the jivas taking shelter there are very dear to Sri Krishna. Now, let us describe the good fortune of the animals in Vrindavan. The does are without discrimination yet as they wander through Vraja they are directly seen by Krishna.

The Vraja-gopis mention Nanda’s name because their minds are bewildered by uncontrollable agitation. They performed Krishna’s worship with glances filled with affection. Love is the greatest treasure in worship. In great astonishment the gopis speak with lamentation. “O! We do not have such good fortune!”

Srimad Bhagavatam 10.21.12

Translation: The gopis say, “When the devatas’ wives flying in vimans with their husbands see Krishna, whose form and qualities fill all women with joy, and when they hear Krishna’s venu-gita, their hearts are agitated by Cupid, and they become so bewildered that the flowers fall out of their hair and the ropes holding up their undergarments loosen.”

Sri Jiva Goswamipada tika: Both the animals on the ground and the devatas flying in the sky have become supremely fortunate by seeing Krishna whose all-attractive form and qualities immediately incite anuraga in all women. The devis hear Krishna’s flute playing a raga drenched in madhurya-rasa.

They came along with their husbands since they didn’t have the adhikari for direct association with Krishna. Just by seeing Shyam the Svargadevis became intensely afflicted with lust for Krishna. Their enchantment was further enhanced by hearing Krishna’s venu-gita. Hearing and seeing were both causes of bewilderment.

This is the anubhava called mottayita which is the appearance of desire in the heart from the arousal of the sthayi-bhava from remembering or hearing about Krishna.

The gopis pine, “We are most unfortunate for not having seen Krishna, the astonishing ocean of all auspiciousness, who bewilders the foolish female deer and the most intelligent wives of devatas. Or, we are most unfortunate for not seeing Krishna as He wanders in the forest, whereas they are fortunate.”

Srimad Bhagavatam 10.21.13

Translation: The gopis say, “Using their upraised ears as cups, the cows drink the nectar of Krishna’s flute-song flowing out of from His mouth. The calves, their mouths full of milk from their mothers’ moist nipples, with tear-filled eyes, stand still as they embrace Krishna within their hearts.

Sri Jiva Goswamipada tika: Other gopis speak three verses to hide their amorous emotions by describing the cows which have maternal affection for Krishna. “Even cows that are famous for not being able to distinguish good from bad, are relishing the sound of Krishna’s flute coming from His moon-like mouth which is endowed with more nectar than billions of nectar-filled moons.

“Krishna is the fullest embodiment of the highest bliss. In astonishment the cows simply stand, stunned, overcome by sattvika-bhava. Govinda indicates the master of the cows. They touch Krishna with affection. Some calves have mouthfuls of their mothers’ milk flowing from their mouths. Other calves are chewing grass.

“They all start crying as they embrace Govinda in their minds. Since their eyes are covered with tears, they can only see Krishna in their minds. We however are most unfortunate since we cannot even see Krishna.”

Srimad Bhagavatam 10.21.14

Translation: “O Amba! In this forest all the birds have risen onto the budding branches of the trees to see Krishna. With closed eyes, like sages, they are simply listening in silence to the sweet vibrations of Krishna flute, and they speak of nothing except Krishna.”

Sri Jiva Goswamipada tika: In astonishment, the gopis say, “O mother!” (amba)

It is the nature of those immersed in prema to make such statements. Since no mother is present, the gopis address their friends in this manner.

The gopis say, “What to speak of the good fortune of the cows protected by Krishna, how can we describe the fortune of these forest birds? Most of the birds are like this, but some like the peacocks are like the greatest devotees because they are dancing in prema, not just sitting in the tress.

“The birds climb on the branches of trees in order that they can see Krishna or so that Krishna can see them. But the buds create obstacles to seeing Krishna, so they listen to Krishna’s venu-gita with half-closed eyes.” This indicates lassitude because of intense prema.

“No words except the words of the flute are sensed by their minds, ears or voice. Thus, they are fortunate.”

The word munayah refers to atmaramas like the Kumaras who have become birds to see Krishna. When they hear the sound of Krishna’s flute which they have never experienced before, that enchanting sound attracts them away from their brahma-samadhi. These sages have surpassed the branches of the Vedas and given up study of the Vedas. Their consciousness of their bodies has disappeared (milita-drsha—closed vision). The have become silent on all topics except Krishna. What else can they deliberate on?

Venu-gita ki jai! Sri Jiva Goswamipada ki jai!

Radha-Govinda Yugala ki jai! Jai Jai Sri Radhe!

2021, Bhagavatam Topics

Bhagavata Amritam 02 by Sri Jiva Goswamipada

Herein we present a continuous sweet selection of tikas from the great rasika-acarya, Sri Jiva Goswamipada’s Krishna prema-filled comments on the Venu-gita (Srimad Bhagavatam 10.21). By reading and studying these comments along with the verses of Venu-gita, you will attain a happy feeling in your heart, and renewed enthusiasm to love and serve Radha and Krishna more and more. Jai Jai Sri Radhe!

Srimad Bhagavatam 10.21.7

Translation: The sakhis say, “O sakhis! Is there any other purpose for the eyes than seeing the beautiful youthful face of Krishna as He and Douji pasture the cows from forest to forest in Vrndavana?”

Tika: I, Sri Jiva, surrender to the gopis by whose mercy one can understand their words, and by whom the fathomlessly deep heart of Sri Krishna heart is conquered, gopih-prapadye-ta-yabhih,-sa-gambhirasayo-jitah.

To hide their complete attachment to Krishna, the gopis here externally glorify both Krishna and Balarama. In essence the gopis are saying, ‘All senses attain success if they can taste the sweet nectar of Syama’s lotus face.’

Srimad Bhagavatam 10.21.8

Translation: Krishna and Balarama look so attractively gorgeous (vicitra vesa) with Their colorful flower malas; water lilies hanging over Their ears; Their wavy locks entwined with peacock feathers, mango buds and clusters of flowers; and twirling pastime lotus flowers in Their hands. Shining magnificently among the gopas, Govinda and Douji look like a pair of professional dancers on a dramatic stage.

Tika: In this verse and others, the gopis try hard to conceal their intense loving attachment for Sri Krishna. Here the gopis are saying, “These two feel great happiness singing and dancing amidst Their cowherd friends. Sometimes Kanai Balai sing or listen to the gopas glorify Them with special songs. The gopas sometimes challenge, “Of you two, whoever sings best should sing for us.” Then to create a particular sweetness in their play, Krishna Balarama both proudly sing different songs.

Though not spoken, the gopis emotions are saying, “O these gopas are so fortunate! But we are not since we can not freely associate with Krishna due to fear public opinion!”

Srimad Bhagavatam 10.21.9

Translation: My dear gopis! What good deeds did Krishna’s flute perform to now independently enjoy the nectar of Damodara’s lips while leaving only a drop for us gopis who deserve that nectar!

Tika: In the madness of mahabhava, the gopis here express their desire mixed with envy, while falsely imagining that the flute has performed many pious deeds even though it’s just a piece of dry bamboo. ‘We will also do such pious acts to get the taste of Krishna’s lips.’

By calling Krishna “Damodara”, the gopis suggest that they have had a special natural loving relationship. with Him since Krishna’s balya-lila [age 1-5], wherein the sprouts appeared of their present blossoming emotions. In the daze of love, Damodara’s darlings disclose, “We see that even after enjoying Damodara’s lips for so long, His lips are still juicy and not dry, so the flute has not really enjoyed Krishna’s lips at all!”

Srimad Bhagavatam 10.21.10

Translation: O sakhi, Vrndavana has made the earth glorious because she possesses the treasure of Devakinandana’s lotus feet. Upon hearing Govinda’s vamsi, the peacocks madly dance, and all the creatures become stunned while standing on the hilltops to watch the dance.

Tika: Losing their interest in glorifying Krishna’s flute, the gopis focus on the glorious land of Vrndavana as being far superior to Vaikuntha for all the above reasons. In Vaikuntha, Krishna/Vishnu wears golden slippers and leaves no footprints for anyone to see or relish.

The gopis think, ‘Ah! The peacocks are dancing with Krishna to the thrill of all. But we, the most unfortunate, cannot see this. It should be understood that in all these verses, the gopis are actually expressing their dissatisfaction, an inherent quality of Krishna prema.

Venu-gita ki jai! Sri Jiva Goswamipada ki jai! Radha-Govinda Yugala ki jai!

Jai Jai Sri Radhe!

2019, Bhagavatam Topics

Six Gopi Gitas of Bhagavatam

Mahanidhi Madan Gopal Das

Srila Rupa Goswamipada says (Bhakti Rasamrita Sindhu (1.2.291) raganuga-bhakti sadhana can begin when one has a slight but specific hankering and desire (lobha, divine greed) to experience the feelings and render services like a particular eternal associate of Sri Krishna in Vrndavana i.e. Sri Radha, Visakha-sakhi or Sri Rupa Manjari in madhura-rati (vraja-vasi jana bhaava lubdho).

Regarding this, Srila Prabhupada says (Nectar of Devotion, pg. 125), “There is a gradual development to become like a particular devotee.”

In the next verse (Bhakti Rasamrita Sindhu 1.2.292), Srila Rupa Goswamipada says divine greed may appear and develop by repeatedly hearing [or reading] sastras like the Srimad Bhagavatam and books of the six Goswamis. Sri Jiva Goswamipada says that to develop raganuga-bhakti sadhana, one should especially hear the Tenth Canto Bhagavata’s depiction i.e. [Gopi-gitas) of the sweet love and activities of the cowherd damsels of Vrajabhumi.

In (Bhakti Rasamrita Sindhu 1.2.294), Srila Rupa Goswamipada says practicing raganuga-bhakti means to live in Vraja Mandala and be absorbed in hearing topics specifically related to the Vrajavasis whom you want to follow, such as Radhika and the Vraja-gopis.

For devotees pursuing Vraja bhakti in the amorous mood of the gopis, the Srimad Bhagavatam contains six priceless jewels known as the six Gitas or songs of the Vraja-gopis. Bhagavatam is the cream of the Vedas, and the Gopi-gitas are the burfee of the Bhagavatam.

Why is that you may ask? The six Gopi-gitas are full of deeply emotional, pure love-surcharged verses that have arisen from the Vraja gopis’ immaculately pure hearts. In these outpourings, often cried out in the agony of separation from Shyam, the Vraja-gopis reveal the topmost transcendental ecstatic sentiments of mahabhava, pure and selfless, divine love for their dearest Priyatama Shyama, Sri Krishna!

The Gopis’ songs are especially meant for sadhakas treading the emotional path of raganuga-bhakti in pursuance of the madhura-rati of Sri Krishna’s Vraja ragatmikas as taught by Sri Chaitanya Mahaprabhu. By regularly hearing, reading, or better yet crying like they did, these six songs of love divine, devotees will quickly develop the moods and feeling of the damsels of Vraja.

The Vraja gopis sing these six Gitas either in times of union or separation, while relishing the ecstasy of their srngara-prema, pure ecstatic amorous love for Shyamsundar, the beautiful dashing sweet Lord of Love.

Srila Sukadeva Goswami comments (Srimad Bhagavatam 10.33.36) on these Gitas, “People must hear about Krishna pastimes [in the six Gopi-gitas]. By doing so people will become exclusively devoted to Bhagavan Sri Krishna.”

Many contemporary Vrndavana Goswamis and Bhagavata katha vachaks say that if you want to cultivate the gopi’s mood separation, attract the heart of Krishna, and receive His beautiful darshana, then daily sing the “Gopi Gita”. (Srimad Bhagavatam 10.31.1-19)

Moreover, since the Vraja-gopis are the topmost devotees of Bhagavan Sri Krishna in all of creation, any devotee who daily hears, reads, or cries these songs will surely increase his/her attraction, love and attachment for Sri Krishna, our Sweet Loving Master.

OUTLINE OF THE SIX GOPI GITAS

Venu-gita:

In verses (10.21.7-19), the gopis describe Sri Krishna’s purvahna-lila (8:24-10:48 a.m.) in the morning when Govinda goes out with gopa friends to tend the cows in the forest. While the gopis are staying at home they hear Krishna sweet flute song echoing and resounding in the distant pastures. Their hearts thrill with ecstatic hankering. Then to ease their pangs of separation, the lovely damsels of Vraja sing about their beloved Shyam, His amazing flute, and His frolicking in the forests of Vrndavana.

Pranaya-gita:

This Gita appears in the Tenth Canto at the end of the first chapter describing the rasa-lila (SB 10.29.31-41). After the gopis hear Sri Krishna’s flute invitation for amorous sports, they drop everything and run through the frightening midnight forest to stand before their beloved. And what does Shyam do? He preaches patni dharma, lajja dharma, varna dharma and morality to seemingly dissuade and reject them.

Replying, the Vraja damsels forcefully express their pure intentions, and transcendental loving sentiments for the one and only true husband and master of everyone, Krishna! In their talks about the deepest pure love, the Vraja-gopis reveal a type of sweetness in prema called pranaya. To better understand the gopis’ feelings at this time, please attentively read and reflect upon the following passage:

Pranaya-prema is a spiritual mentality of equality and oneness of heart between the lover and beloved. It includes boldness, firm faith and trust, and it is completely free from the slightest scent of reverence. Ujjvala-nilamani states that alaukik pranaya is the fifth stage (rati, prema, sneha, mana, pranaya) of ever-thickening sweetness in divine love. In pranaya prema, the lover completely identifies with the beloved, but not like the oneness of the jiva identifying with Brahman in sayujya-mukti.

At this level the lovers feels that their life-airs, minds, intelligence, bodies, and garments (prana, mana, buddhi, deha, vesh) are identical with the counterparts in their beloved. The lovers think, “You are my very prana and I am your very prana (life force).”

Thus, in their loving exchanges there is no hesitation, fear or distance created by respect or feelings of difference. For example, Sri Krishna can place His feet on Radharani’s breasts or pass His chewed pan into Radha’s mouth without any fear or hesitation.

Gopi-gita:

This Gita (10.31.1-19) comprises the entire third chapter of Radha-Krishna’s rasa-lila in the Tenth Canto of Bhagavatam. On the camphor white, soft sandy banks of Yamunaji, the gorgeous gopis sing the pranaya-gita directly to Sri Krishna in chapter 29. Then later in the night during the rasa lila, Sri Krishna suddenly disappears leaving the damsels distraught and dejected.

Overwhelmed with broken hearts and sobbing continuously, the gopis sit down on the bank of the Yamuna after searching a long time for Krishna. Each in her own way, the gopis ecstatically cry out to Rasikashekhar while praying for Shyam’s merciful darshana.

Their minds filling with Krishna’s pastimes and presence, and their hearts burning in loneliness they cry out for their beloved. The commentators say singing the “Gopi-gita” will assuage the aggrieved heart of any bhakta who truly feels separation from Krishna.

Yugala-gita:

This Gita appears in (Srimad Bhagavatam 10.35.2-25). Although wanting, the gopis can’t run out with Shyam when He goes to the forest every day. But their minds do run out. So while remaining in the village doing their chores, the gopis sadly pass their time singing of Krishna’s pastimes while eagerly awaiting Shyam’s return.

Standing in small groups here and there in Vraja, the gopis recite pairs (yugala) of verses glorifying Sri Krishna’s late afternoon pastimes (aparahna-lila 3.36- 6 p.m) of returning from the pasturing grounds (uttara-gostha lila) with the cows and cowherd boys.

Viraha-gita:

Viraha-gita is in (Srimad Bhagavatam 10.39.19-31). This chapter describes one dismal day in February, when Akrura comes to town to take the tender boys Krishna and Balarama out of Vraja and on to Mathura City for a wrestling match with the fierce and hefty henchmen of the notorious demon King Kamsa.

Priyaji Radha and the other gopis are afraid to be without Shyama for even an eye blink. So when they hear the news, they become extremely upset and distressed.

Their faces turn pale from their heavy breathing, and their dresses, bracelets and braids slip off. When Radhika hears the bad news, She remembers some intimate moments with Shyama and faints.

Tossing in the high waves of prema, the Vraja-gopis stay up all night vacillating between madness and fainting. Half-conscious, the gopis lament and condemn Providence for separating them from Shyam.

Due to the intense anxiety of thinking that they may never see Krishna, the gopis run to Nandagrama at dawn. They decide to cast away their shyness and try their best to keep Krishna in Vraja. Standing at the door of Nanda’s palace, they openly express their deep feelings of love of separation in what is called the “Viraha-gita”.

In Nectar of Devotion (ch 44), Srila Prabhupada cites Srila Rupa Goswamipada’s Padyavali: “Since the inauspicious day when Krishna left Vrindavana to go to Mathura, Srimati Radharani has been pressing Her head on one of Her hands and constantly shedding tears. Radha’s face is always wet now, and therefore there is no chance of Radha’s sleeping even for a moment. Radharani was always weeping for Krishna because of His separation and She could not sleep for a moment.”

And how did Krishna feel in Mathura after being separated from His beloved sweetheart Radhika? In the Prahlada-samhita, Uddhava says, “Sri Govinda, panic-stricken from the piercing arrows of Cupid, is always thinking of Radharani. He does not eat regularly nor sleep at night.”

Bhramara-gita:

This Gita appears in (Srimad Bhagavatam 10.47.12-20). After Sri Krishna leaves the gopis and moves to Mathura, He sends Uddhava back to Vraja with a message to pacify the gopis who are completely distraught in Krishna’s separation.

When the young maidens of Vraja see lotus-eyed Uddhava, wearing Krishna’s prasadi dhoti, turban and ornaments, they are astonished thinking that perhaps he is Krishna. The gopis bring Uddhava to a secluded place to speak confidentially.

As they remember their pleasurable pastimes with Krishna, the gopis abandon all propriety and shyness and loudly cry. At that time, Sri Radha sees a bumblebee and mistakes it to be a messenger of Uddhava or someone very dear to him and Krishna. Completely bewildered by intense pangs of love in separation from Shyam (divyonmada mahabhava), Radha speaks to that bee like a madwoman.

Uddhava tries his best to console the deeply anguished Radharani and the damsels of Vraja, who just want to see Shyam again, but he fails! Instead of pacifying the anguished gopis, Uddhava himself becomes baffled and astonished at Sri Radha’s intensely mad love in separation from Krishna.

The Bhramara-gita concludes with Uddhava’s response which is simply his heartfelt prayers to the gopis expressing his gratitude, appreciation and aspiration. Although he is a most exalted Vedic scholar and a confidential friend of Krishna, Uddhava prays with folded hands that the gopis will bless him in some life with their foot dust if by chance he gets birth in Vraja as a lowly creeper. It seems this pastime occurred during the morning (purvahana-lila 8:36-10:48 a.m.)

We hope this article will inspire devotees to cultivate their individual budding attraction to follow the Vraja-gopis by regularly hearing and reading these wonderful Gopi-gitas of the Tenth Canto.

Srimad Bhagavatam Gopi-gitas ki jai! Jai Jai Sri Radhe!

Gopi Manjari topics, 2018

See Your Self as Radha’s Manjari

Mahanidhi Madan Gopal Das

After becoming established in one’s siddha svarupa by the mercy of Sri Guru and Sri Krishna, a sadhaka will contemplate his/her personal form, qualities and seva while mentally remembering and serving within Radha-Madhava’s asta-kaliya-lila.

The young girls (12-13 yrs) who personally and very intimately serve Srimati Radharani are called Radha’s dasis, kinkaris, manjaris or simply maidservants. The following description is generic and refers to “You” or anyone among the unlimited handmaidens of Srimati Radhika.

The following passages, taken from Prabodhananda Sarasvatipada’s Vrindavana Mahimamrita, which describe a manjari’s form, feelings, movements and services are very helpful in deepening and culturing the persona of a maidservant of Srimati Radharani.

By reading these, one will see how dynamic, beautiful and exciting it will be when one attains prema, and enters Radha-Krishna pastimes to lovingly serve Them eternally in one’s siddha svarupa as Radhika’s kinkari.

To attain success in manjari meditation, one must completely forget once and for all one’s external body and all false material attachments. By the mercy of Sri Hari and Sri Guru, I have received a spiritual form, siddha svarupa/deha so that I may affectionately and intimately serve Sri Sri Radha-Govinda Yugala in the eternally blissful realm of Sri Vraja Dhama.

Thus to permanently fix my eternal and REAL spiritual identity, I will deeply concentrate, meditate upon and internally visualize my true self as follows. Hear/read the passages very attentively while thinking: “This is the REAL ME—the ETERNAL ME—the EVER BLISSFUL ME!” Try to think of your eternal, individual, transcendental, sac-cid-ananda siddha svarupa as being like this…

“I am a lovely kinkari maidservant of Ishvari Radha, and I have a glistening, pleasing golden complexion and I abound in honey sweetness. I am a fresh maiden adorned with jeweled necklaces and a multicolored blouse.

My arms are beautifully shaped like lotus stems and glorified with bracelets and jeweled armlets. Like a dangling vine, my hair shiny black braid hangs down to My captivating buttocks, and its swinging movements enhance My beauty.

As Radhika’s kinkari (manjari), I have an enchantingly thin waist. A divine silk garment with artistic folds hangs down to My ankles. A fine cloth embroidered with flowers and leaves covers My hair and the sides of My face.

A sweet shy smile plays upon My reddish lips. My glances are light and playful, and My movements are extremely attractive. The amorous affairs of Radha-Madhava Yugala always excite My pure tender heart.

Among my unlimited good qualities, humility and sweet behavior are foremost. Having been personally taught by Radharani, I am now expert in all arts.

I appear especially attractive due to wearing the Playful Pair’s prasadi malas, clothes and ornaments. I regularly relish Radha and Krishna’s astonishingly tasty prasadi pan and betel nut. Being an expert manjari, I immediately know what Radha wants just by a hint or a glance. Radha and Krishna are always very affectionate to me.

I carry whatever is needed for seva i.e. scents, water, garlands, kunkum, pan, cosmetics etc. for Radhe-Shyama’s nightly meetings. As a Radhika kinkari, I constantly taste the sweet madhura rasa arising from Sri Radha’s beautiful form, qualities and pastimes. I remain forever thrilled by remembering Radhika’s intimate affairs with Shyama.

Because I have intense loving affection for Radharani, I am always submerged in an ocean of happiness. In all times, whether I am awake, dreaming or deeply asleep, I desire nothing but Radha’s seva. I know absolutely nothing but Sri Radha sweet lotus feet.

As rivers rush to the sea, I immediately run toward anything even remotely connected with Radha. And I practically die if even a moment passes without Radha. As a shadow follows an object, I am always beside Sri Radha throughout the day and night. My deep attachment to Radha immerses me in the boundless ocean of ecstatic love for Radha.

Sometimes when Kunjeshvari enjoys with Priyatama in a keli-kunja, Radha pulls me onto the flower bed and under the sheets with Her. Ah ha! Just see the intimacy that Srimati showers upon me, Her most fortunate maidservant!

Tasting the bliss of serving Kishori Jeu, I thrill and tremble in ecstasy. My brilliant bodily luster and loveliness enchant everyone as I run from place to place in My anxiety to nicely serve Priya Sundari.

My soothing bodily effulgence beautifies and enriches all ten directions. When I sometimes hear Priya-Priyatama’s secret love talks, I experience inconceivable joy, the utmost happiness and FULL satisfaction. The soothing, nectar-sweet words flowing from the lovely lotus mouth of Srimati Radhika continually dance in waves of joy in My heart. (Vrindavana Mahimamrta 8.17-42)

Sri Radha’s manjari ki jai! Jaya Jaya Sri Radhe! Manjari Bhava Upasana ki jai! Manjari Sadhana ki jai! Sri Guru ki jai!

2017, Manjari Topics 2017

Seeing Your Self as Manjari

Mahanidhi Swami