Tag Archive for: MahaMantra

Mahanidhi Madan Gopal Das

aparādha-śūnya ho’ye loho kṛṣṇa-nāma, kṛṣṇa mātā, kṛṣṇa pitā, kṛṣṇa dhana-prāna

Being careful to remain free of offenses, just take the holy name of Kṛṣṇa. Kṛṣṇa is your mother, Kṛṣṇa is your father, and Kṛṣṇa is the treasure of your life. (Gitavali, “Sri Nagar Kirtana”)

viceyāni vicāryāṇi, vicintyāni punaḥ punaḥ
kṛpaṇasya dhanānīva, tvan-nāmāni bhavantu naḥ

O Lord, just as a miser continually collects, counts and remembers his money, in the same way let us continually collect, count, and remember Your holy names. (Padyavali v. 30)

An excerpt from the book Art of Chanting

Mahanidhi Madan Gopal Das

Five hundred years ago in Jagannatha Puri, Sarvabhauma Bhattacarya asked Sri Caitanya Mahaprabhu which item is the most important form of devotional service.

bhakti-sādhana-śreṣṭha śunite haila mana
prabhu upadeśa kaila nāma-saṅkīrtana
harer nāma harer nāma, harer nāmaiva kevalam
kalau nāsty eva nāsty eva, nāsty eva gatir anyathā

Sarvabhauma Bhaṭṭācārya asked Caitanya Mahāprabhu, ‘Which item is most important in the execution of devotional service?’ Mahaprabhu replied that the most important item was the chanting of the holy name of the Lord. Then Mahaprabhu quoted a verse from Bṛhan-nāradīya Purāṇa:

‘In this age of quarrel and hypocrisy, the only means of deliverance is the chanting of the holy names of the Lord. There is no other way. There is no other way. There is no other way.’ (Caitanya Caritamrita,  Madhya 6.241-2)

Sri Caitanya Mahaprabhu always emphasized the supremacy of nama-bhajana in His preaching. In Jagannatha Puri, Mahaprabhu also instructed Sanatana Gosvami on this point:

bhajanera madhye śreṣṭha nava-vidhā bhakti
‘kṛṣṇa-prema’, ‘kṛṣṇa’ dite dhare mahā-śakti
tāra madhye sarva-śreṣṭha nāma-saṅkīrtana
niraparādhe nāma laile pāya prema-dhana

Of all the different spiritual practices, the nine forms of bhakti (sravanam, kirtanam, etc) are the best because they have great potency to deliver Kṛṣṇa and ecstatic love for Him. Of these nine practices, nama-sankirtana is the best. By chanting the holy name without offense, one very easily obtains the priceless treasure of kṛṣṇa-prema. (Caitanya Caritamrita, Antya 4.70-1)

“The Caitanya-caritāmṛta states that of the nine ways of devotional service to obtain love of God, the foremost is nāma-saṅkīrtana. One who chants nāma without offenses surely achieves love of God. Bhakti-sandarbha says no form of bhakti (i.e. mathurā-vāsa, sādhu-saṅga, srī-murti sevā, and bhāgavata-sravana) is complete without Śrī Kṛṣṇa nāma-saṅkīrtana. The Hari-bhakti-sudhodaya says that saṅkīrtana is the best and foremost of all spiritual practices for attaining Kṛṣṇa’s mercy. If the other practices of bhakti are helpful to it, they should then be accepted.” (Sri Caitanya’s Teachings)

“Sri-nama bhajana is more powerful than all other forms of bhajana (nava-vidha-bhakti). There is no difference between nama (the holy name) and nami (Bhagavan, who possesses the name.) If you chant nama without offense, you will very quickly attain all perfection. All nine forms of bhajana are automatically carried out by performing nama-bhajana. When one utters sri-nama, he is engaged in hearing and chanting (sravanam, kirtanam). As one continues to chant, one also remembers the pastimes of Kṛṣṇa, and within the mind one serves Kṛṣṇa’s lotus feet (pada-sevanam), worships Him (arcanam), offers prayers (vandanam), serves Kṛṣṇa in the mood of a servant (dasyam) or friend (sakhyam), and offers one’s very self to Kṛṣṇa (atma-nivedanam).” (Jaiva Dharma ch. 4)

Upon completing the description of the sixty-four limbs of devotional service, Śrīla Rūpa Gosvāmī mentions five of them as the most important items. Śrīla Bhaktisiddhānta Sarasvatī Ṭhākura clearly shows how each one of these five most potent devotional processes points to the chanting of the holy name.

Sarasvatī Ṭhākura once explained that after careful consideration of the five limbs of bhakti, the best practice is srī-nāma bhajana. The next entry shows how chanting Kṛṣṇa’s holy names is the root of all nine forms of devotion and is glorified above all.

(1) Sādhu-saṅga­­­­­­­­­­­­­–associating with devotees is recommended to create a taste or inclination for srī-nāma bhajana. This comes from associating with holy saints who are attached to chanting Kṛṣṇa’s holy names with firm faith and who systematically chant the names.

(2) Bhāgavata-śravaṅa–hearing Śrīmad Bhāgavatam which itself declares sri-nāma bhajana to be the highest virtue. In its beginning, middle (sixth canto, Ājamila story), and end, the Śrīmad Bhāgavatam repeatedly stresses the efficacy of sri-nāma bhajana.

(3) Mathurā-vāsa–sri-nāma bhajana is situated at the root of residence in Vṛndāvana or Śrīdhāma Māyāpur. The sādhus living in or visiting these holy places are always engaged in nāma-saṅkīrtana.

(4) Śrī-murti-sevā–the service of Kṛṣṇa’s Deity is always conducted with mantras full of God’s names. The Hari-bhakti-vilāsa and Śrī Jīva Gosvāmī say that Deity service must be accompanied with chanting the Hare Kṛṣṇa mantra for it to be accepted.

(5) Nāma-saṅkīrtana–is directly chanting the holy names.

“Of all means of bhajana (devotional service), the name of Kṛṣṇa is most purely spiritual. In describing the absolute duties, Hari-bhakti-vilāsa states that singing and meditating on Śrī Nāma (Kṛṣṇa’s holy names) is the best devotional activity.

“The most advanced devotees who have fully dedicated themselves to Śrī Kṛṣṇa take exclusive refuge in kṛṣṇa-nāma amongst all other practices of devotion. There is no other performance so pure and spiritual as singing the name of Kṛṣṇa.” (Nama-bhajana)

According to Sri Jiva Gosvami, chanting the holy name is not only the greatest form of sadhana, but it must accompany every other form of devotional service: “Chanting the holy name of Kṛṣṇa is the chief means of attaining love of God. This chanting does not depend on any paraphernalia, nor birth in a good family. All the Vedas proclaim that by humility and meekness one attracts the attention of Kṛṣṇa. Therefore, chanting Hare Kṛṣṇa is the greatest sadhana (mahā-sādhanānam), and the fulfillment of all sacrifice, penance and austerities. Simply by chanting one achieves ecstatic love of God and complete perfection in life. Therefore, whatever one does in executing devotional service must be accompanied with the chanting of the holy name.” (Bhakti-sandarbha 270)

An excerpt from the book Art of Chanting

Mahanidhi Madan Gopal Das

In the material world, both neophyte sadhakas and realized suddha-bhaktas chant the holy name. Dutiful beginners chant Hare Kṛṣṇa as a sadhana for purification, whereas adepts relish the sweetest nectar in the holy name. Chanting the Hare Kṛṣṇa maha-mantra is the eternal activity of every soul. Therefore, it is good to cultivate attachment and affection for one’s eternal companion–Kṛṣṇa’s holy names.

Harinama sankirtana goes on in the spiritual world as well among Kṛṣṇa’s eternal associates. The scriptures narrate many pastimes of Kṛṣṇa and His devotees chanting the holy names.

“Kṛṣṇa said to Uddhava, ‘Mother Yasoda is always singing My names in a deep mood of separation. As she takes long slow breaths, the sound “Ha Kṛṣṇa! Ha Kṛṣṇa!” comes from her throat. Profuse perspiration soaks her weary body, and tears gush from her eyes, soaking her clothes, as she stares intently at the road to Mathura waiting for My return.’ ” (Uddhava-sandesh)

“A sakhi tells Kṛṣṇa, ‘O Kṛṣṇa! When You are out tending the cows in the pasture, Radharani spends Her day, longing to see You again. Fixing Her eyes on the path where You will return with the cows, She engages Her tongue in repeating the two syllables kṛṣ and ṇa. Radhika’s ears yearn to hear the sound of Your flute, and Her heart is fixed in the happiness of thinking of You.’ ” (Ujjvala-nilamani ch.15)

“Kṛṣṇa said, ‘Hey Kundavalli! When I accidentally said the word “Radha”, Candravali became tortured with pain, as if violently wounded at heart. However, in order to pacify My embarrassment and bewilderment, she doubled the smile on her lotus face and spoke words filled with sweetness.’ ” (Ujjvala-nilamani ch.14)

“Vrnda-devi said to Paurnamasi, ‘Radharani gave a farewell embrace to the budding jasmine creeper She had planted on the Yamuna’s shore. She placed the farewell gift of Her very beautiful diamond necklace in Lalita’s hand. Radhika then entered a kadamba grove filled with buzzing sounds of bees and fainted. But She was reawakened by Her priya-sakhis chanting the name of Hari.’ ” (Ujjvala-nilamani ch.15)

“The wonderful sacred mantra Kṛṣṇa chants is the name of His dearmost Radharani. Srimati Radharani’s maha-mantra is the name of Lord Kṛṣṇa.” (Radha-Kṛṣṇa Ganoddesa-dipika)

An excerpt from the book Art of Chanting

Mahanidhi Madan Gopal Das

kṛṣṇa-mantra haite habe saṁsāra-mocana,
kṛṣṇa-nāma haite pābe kṛṣṇera caraṇa

Sri Caitanya Mahaprabhu said, “The kṛṣṇa mantra (gopala mantra) gives one freedom from material existence. And kṛṣṇa nama (the Hare Kṛṣṇa maha-mantra) delivers one to the lotus feet of Kṛṣṇa.” (Caitanya Caritamrita Ādi 7.73)

In this verse, Lord Caitanya describes the effects of chanting the eighteen-syllable gopala mantra and the Hare Kṛṣṇa maha-mantra. Of the two mantras, Sri Jiva Gosvami emphasizes chanting the Hare Kṛṣṇa maha-mantra in Bhakti Sandarbha 284: “Mantras are actually composed of the names of the Supreme Lord. Mantras are distinct from the name because they include the word “namah” [or svaha], and have special powers that are given by the rsis or the Lord Himself. The holy names of the Lord, however, in themselves, being independent, can bestow the higest goal of life, Kṛṣṇa-prema. Thus the names of Kṛṣṇa are more suitable than mantras.”

In Kṛṣṇa Samhita, Srila Bhaktivinoda Thakura describes the various mantras given to liberate one in the different yugas. In Satya, Treta and Dvapara yugas these mantras, called tāraka-brahma-nāma, addressed the Supreme Lord with feelings of awe and reverence invoking His divine power, majesty and protection (aisvarya-bhava). The tāraka-brahma-nāma for Kali-yuga is the Hare Kṛṣṇa maha-mantra, a selfless call for loving service.

In the Gaudiya conception, samsara-mocana, or liberation means to realize one’s svarupa. At this stage, the Brahma Gayatri and the gopala mantra retire, but chanting Hare Kṛṣṇa continues to deliver one to the lotus feet of Kṛṣṇa (kṛṣṇa-carana), in the spiritual world. This is the final stage of spiritual evolution wherein one attains his vastu siddhi, (pure spiritual form), and engages in Kṛṣṇa’s eternal service.

Whether one is in Kṛṣṇaloka or the material world, chanting Kṛṣṇa’s holy name is the eternal function of the soul. In the material world, chanting Hare Kṛṣṇa is the primary activity for purification and spiritual elevation. Everything else is auxiliary or supportive of the main service of chanting Hare Kṛṣṇa. Upon entering the spiritual world, however, chanting the holy name will be in the background, helping and energizing. Serving Radha-Govinda will be in the foreground, distinct and most important. For example, when the gopīs churn fresh yogurt for Kṛṣṇa’s butter, they simultaneously sing His glories while keeping time with their bangles and waistbells.

An excerpt from the book Art of Chanting

Mahanidhi Madan Gopal Das

“Kṛṣṇa-nāma has been accepted by all to be an incarnation of Lord Śrī Kṛṣṇa on this earth. Although He appears like a word, Kṛṣṇa, still by His inconceivable power He is completely spiritual. The name is a special incarnation of the Supreme Personality of Godhead. As Kṛṣṇa and His name are identical, Kṛṣṇa has descended to earth as nāma. Kṛṣṇa-nāma is our first introduction to Kṛṣṇa. Therefore, we first meet Kṛṣṇa in His name. With determination to reach Kṛṣṇa, we must first accept the name of Kṛṣṇa.” (Nama Bhajana)

“Nāma is also another incarnation of Kṛṣṇa. Nāma-rūpe kali-kāle kṛṣṇa-avatāra. Because name and Kṛṣṇa are not different. Abhinnatvād nāma-nāminoḥ. There is no difference. In the material world there is difference between the name and the substance. But in advaya-jñāna, the Absolute world, there is no such distinction. The name and the person are the same, identical.” (SPT 30/10/72)

How does Hare Kṛṣṇa japa purify the chanter? “Chanting gradually diminishes the propensity to sin, and simultaneously purifies the consciousness. At this juncture, a taste for chanting begins to manifest. The inclination to commit sinful acts vanishes, though a faint residue of previous sinful acts still lingers in the consciousness. The receding sinful reactions leave an odor of sinful habits. But the chanter’s contact with the name produces a purity of mind and strength of willpower that overcomes the clinging smell of sin.” (Hari-nama-cintamani)

An excerpt from the book Art of Chanting

Mahanidhi Madan Gopal Das

Kṛṣṇa’s holy name–full of mercy, full of compassion, full of affection, full of rasa and full of prema–is the rarest treasure in the world. Without hearing from sastra and saints, however, one can never understand the power, value and benefit of Sri Kṛṣṇa’s divine name, form, attributes, pastimes and holy abode (nama, rupa, guna, lila, dhama). Throughout the Vedas the transcendental glories of the holy name are recounted.

The following verse from the Padma Purana compares the holy name to a cintamani gem, a divine stone that can bestow one’s desired results. Such cintamani gems make up the transcendental land of Kṛṣṇaloka in the spiritual world. This verse clearly describes the transcendental identity of the holy name:

nāma cintāmaṇiḥ kṛṣṇaś, caitanya-rasa-vigrahaḥ
pūrṇaḥ śuddho nitya-mukto, ‘bhinnatvān nāma-nāminoḥ

The holy name of Kṛṣṇa is a transcendental wish-fulfilling gem (cintamani); it is the embodiment of all consciousness and sentiments; it is complete; it is pure; it is ever free because the name of Kṛṣṇa and Kṛṣṇa Himself are one and the same.

Srila Prabhupada gives a wonderful expanded translation of this verse:

“The holy name of Kṛṣṇa is transcendentally blissful. It bestows all spiritual benedictions, for it is Kṛṣṇa Himself, the reservoir of all pleasure. Kṛṣṇa’s name is complete, and it is the form of all the transcendental mellows. It is not a material name under any condition, and it is no less powerful than Kṛṣṇa Himself. Since Kṛṣṇa’s name is not contaminated by the material qualities, there is no question of its being involved with māyā. Kṛṣṇa’s name is always liberated and spiritual. It is never conditioned by the laws of material nature. This is because the name of Kṛṣṇa and Kṛṣṇa Himself are identical.” (Caitanya Caritamrita Madhya 17.133 p.)

The following story from Vaisnava tradition illustrates the incomparable value of Kṛṣṇa’s holy name.

Once a disciple asked his guru for the topmost secret of bhajana. The guru replied, “The most confidential secret of bhajana is to always chant the maha-mantra–Hare Kṛṣṇa Hare Kṛṣṇa Kṛṣṇa Kṛṣṇa Hare Hare, Hare Rama Hare Rama Rama Rama Hare Hare!”

After leaving his guru’s asrama, the disciple met some poor washermen who were chanting Hare Kṛṣṇa while scrubbing clothes beside the Yamuna. He then heard some little girls chanting Hare Kṛṣṇa while collecting cow dung. When the disciple hired a ricksaw, the skinny old driver chanted Hare Kṛṣṇa all the way back to the asrama.

Meeting his guru, the disciple expressed a doubt about the maha-mantra, “Gurudeva! What kind of secret have you given to me that is known to every dhobi, ricksaw-walla and little girl in India? Is this really the most confidential secret of bhajana?”

Instead of a long explanation, the guru handed the disciple a precious jewel and said, “Show this jewel to the dhobi, ricksaw-walla and little girls, and see if they appreciate its value.” The disciple then showed the priceless jewel to the illiterate washermen, but they could not detect the value of the jewel. They said they would gladly accept it, and use it for beating their dirty cloth. The disciple refused to give them the gem, saying, “You have to pay the proper price for it. A stone or piece of wood is sufficient for beating dirty cloth.”

Upon seeing the jewel, the ricksaw-walla said, “Since it is a little rough, I think it is just suitable for scraping off the dry skin from my feet.” “Are you crazy!” said the disciple as he walked on to show the village girls. Failing to recognize the true worth of the jewel, the girls said, “We could use the jewel to pack our cow dung.”

The disciple again met with his guru and said, “Gurudeva! Nobody wanted to pay the proper price for the jewel. Nor could anyone appreciate the great value of the gem.”

“Yes, in the same way,” said the guru, “most people cannot appreciate the value of the holy name. For this reason, they are indifferent to the chanting of Hare Kṛṣṇa. The Hare Kṛṣṇa maha-mantra is an open secret that is revealed only to the qualified.”

An excerpt from the book Art of Chanting

Mahanidhi Madan Gopal Das
The Holy Name is Transcendental
What does it mean that the holy name of Kṛṣṇa is transcendental, and should never be considered a material sound vibration? The holy name has absolutely nothing to do with the mundane world of matter. The holy name is not a combination of material letters and syllables. The form of the holy name is sat-cit-ananda, eternal blissful consciousness. Although in this world, the holy name is not of this world. The divine name of the Lord is not a product of the material world. Only a liberated soul can purely pronounce the transcendental holy name. A conditioned soul covered by the modes of nature cannot utter the pure name (cintamani-nama).
“Nama is aprakrta-caitanya-rasa (a transcendental living mellow). Within nama there is not any scent of mundane consciousness. When the devoted jiva becomes purified through bhakti and renders service to sri-harinama, sri-nama personally manifests on his tongue. Nama cannot be accepted with material senses.” (Jaiva Dharma ch.20)
When the conditioned soul pleases Sri Guru and Sri Kṛṣṇa, the svarupa-sakti (internal spiritual potency) of the Lord descends upon him, and enables him to purely chant the divine name. Kṛṣṇa’s svarupa-sakti is a combination of hladini-sakti (bliss potency personified as Sri Radha) and samvit-sakti (knowledge potency personified as Lord Baladeva). Kṛṣṇa’s svarupa-sakti manifests the pure name in a surrendered heart saturated with devotion. Enriched with ecstatic rasas, the pure name then embraces the tongue in the dance of prema.
When explaining the transcendental nature of the holy name, Srila Prabhupada often compared the chanting of the word “water” to the name of Kṛṣṇa. The following quotes by His Divine Grace beautifully illuminate the essence of divine wisdom:
“In the relative world, the word “water” and the substance water are different. When I am thirsty, if I simply chant “Water, water, water,” my thirst will not be satisfied. I require the real water. That is the nature of the relative world and relative consciousness. But in the spiritual world or spiritual consciousness, the name is the same as the thing that is named. For instance, we are chanting Hare Kṛṣṇa. If Kṛṣṇa were different from the chanting of Hare Kṛṣṇa, then how could we be satisfied chanting the whole day and night? This is the proof. An ordinary name­­­­–if you chant “Mr. John, Mr. John,” after chanting three times you will cease. But this Hare Kṛṣṇa mahā-mantra–if you go on chanting twenty-four hours a day, you will never become tired. This is the spiritual nature of the Absolute Truth. This is practical. Anyone can perceive it.” (Civilization and Transcendence ch. 7)
“Kṛṣṇa’s words and He are not different. That is omnipotency. Omnipotency means everything relating to Kṛṣṇa has the same potency. Just like here in this material world, if you are thirsty and want water, simply calling repeatedly, “water, water, water, water, water,” will not satisfy your thirst. Because the word “water” has not the same potency as water itself. You require the water as it is. Then your thirst will be satisfied. But in the transcendental, absolute world, there is no such difference. Kṛṣṇa and Kṛṣṇa’s name, Kṛṣṇa’s words and Kṛṣṇa’s qualities, Kṛṣṇa’s pastimes–everything is Kṛṣṇa.” (SPT 25/3/67)
“So immediately you can be in touch with Kṛṣṇa by vibrating this sound, Hare Kṛṣṇa. It is so potent. Nāma cintāmaṇiḥ kṛṣṇaś caitanya-rasa-vigrahaḥ. The name of Kṛṣṇa is cintāmaṇi, transcendental. It is not this material sound, material name. Nāma cintāmaṇiḥ kṛṣṇaś caitanya. Living force, caitanya. It is not dead sound. If you want water, if you chant only “Water, water, water, water,” you will not get water, because it is material sound. The water substance is different from the word “water”. Therefore, simply by chanting, “water, water” you cannot quench your thirst. You must have the substance water. That is material sound. Anything you take, simply by chanting the name, you will not get the thing. That is material.
“But in the spiritual world, the name and the person or the substance is the same. Kṛṣṇa and Kṛṣṇa’s name is the same. There is no difference. Therefore, those who are chanting “Kṛṣṇa, Kṛṣṇa, Kṛṣṇa,” they are becoming more and more enthusiastic to chant.” (SPT 22/1/75).
An excerpt from the book Art of Chanting

Mahanidhi Madan Gopal Das

This audio series presents narrations of the occassional and eternal pastimes of Sri Chaitanya Mahaprabhu and Radha and Krishna. In Japa Walk Thru Lila Meditations, we mix japa chanting with meditation on Krishna’s pastimes. The result is a most wonderful, blissful, satisfying and enlightening experience of chanting Hare Krishna japa.
The practice of combining japa with lila meditation is a standard practice among most Gaudiya Vaisnavas. In fact, the founder-acharya of the world famous Hare Krishna Movement, Srila Prabhupada said, “You should know that it is not offensive to think of Krishna’s pastimes while chanting Hare Krishna japa. Rather IT IS REQUIRED!” (SP Letter Dec. 4, 1968)

The Japa Walk ThruLila Meditation Technique

1. Take your tulasi japa mala, and sit comfortably in a clean, sanctified place.

2. Play the desired lila audio tracks while listening through speakers, headphones or earplugs (or one ear plug).

3. Keep the audio player or the remote control within reach of your left hand, so you can occassionally pause or replay the audio track to deepen your contemplation on a particular scene, expression or loving exchange.

4. Start chanting the Hare Krishna Maha Mantra japa either silently in the mind or by softly whispering.

5. Adjust the audio volume so that you simultaneously hear the lila and attentively hear the Hare Krishna maha-mantra. Experiment until you find the perfect sound level that affords maximum concentration on both the pastimes of Krishna and His sweet Holy Names.

6. While chanting japa with full-heart concentration, listen to the lila narration while mentally trying to vizualize the pastime, to be there, to feel the loving exchanges of Radha and Krishna, and to think what seva you would be offering Them at that moment.

7. Whenever you want to deeply meditate or reflect upon a particular lila, a part of a lila, or a special exchange or scene within a lila, you can simply pause the audio track while continuing your nama japa. For example, sometimes we adjust our audio player so it repeatedly plays the same lila such as “Radha’s Morning Bath”.
Then while listening to that pastime and continuing our maha-mantra japa, we submerge our minds and hearts in all the minute details and sweet dealings of Srimati Radharani and Her sakhi/manjaris at that tender time of morning.

8. The japa walk thru technique is easy and blissful. Instead of wrestling with our wandering minds during japa, we can fill our minds with Radha and Krishna’s beautiful forms, qualities and pastimes while chanting. By this practice our scattered, monkey-jumping minds become pacified, pointed, and absorbed in hearing Krishna’s sweet Holy Names, mentally seeing Krishna’s form and pastimes, and feeling the hearts of Krishna and His loving friends.

9. After sometime of chanting japa and listening to the japa walk thru series, you will no longer think you are just a listener or observer of the lila. If Sri Krishna is merciful to you, you will feel that you are personally there, directly walking with Radha and Krishna and serving Them in every possible way. This is the perfection of Hare Krishna Maha Mantra japa. And this audio series is presented to help everyone attain this perfection.

Maha-mantra Radha-Krishna lila meditation ki jai! Jaya Jaya Sri Radhe!

Mahanidhi Madan Gopal Das

Before starting the Japa Mini Lila Meditations series, we will first reveal some supremely interesting truths about the nature of the spiritual sky that we all hope to attain one day.
In the spiritual dimension of Vrindavana, every person and every “so-called object” such as a tree, rock, finger ring or a necklace is a completely transcendental person—a unique and colorful individual made of pure, love-saturated consciousness.

Everyone has a bhava-deha, a body made of transcendental loving sentiments. There are no bodies made of gross matter, flesh and bones or even mind, intellect or ego (prakriti, indriya, mana, buddhi, ahankara). In other words, everyone and “everything” is completely personal, interactive, alive and full of prema for Radha and Krishna.

In Vraja Dhama in the spiritual sky, there is only love, bhava, pure divine love interacting with pure divine love. Vraja is an eternal blissful realm wherein all the lovers and beloveds exist only to please and satisfy Sri Krishna and each other, be they acting as Sri Krishna’s servants, friends, parents, gopi lovers or dasi serving girls.

Our Gaudiya Vaisnava shastras and purvacharyas say that there is one form of Bhagavan Sri Krishna for every liberated soul! Not only one Krishna, but there is also one form of each one of Sri Krishna’s eternal loving associates in Vrindavana to interact with and accept eternal sevas from that liberated soul i.e. sadhana siddha bhakta.

This is a most astonishing and wonderfully inspiring and reassuring spiritual truth that fully enables every liberated soul, premi-bhakta, to have his or her own individual and personal Radha and Krishna to love, have, hold and humbly serve forever.

Thus we see in the books of Sri Rupa Gosvami, Sri Raghunatha Dasa Goswami, Sri Narottama Dasa Thakura and Srila Visvanatha Cakravarti describing Radha-Krishna’s asta-kaliya-lilas and Their sevas therein, the first person tense “I” is used to speak of the eternal present or the future eternal.

For example, sometimes these acharyas describe their hankering to someday serve Srimati Radharani: “O Kishori-mani! WHEN WILL I COMB Your hair and set beautiful bakula malas in Your shimmering, silky black hair braid?”

Or they write: “O Kalyani! On the full moon night, I DRESS YOU in pure white garments, ornament You with pearls and moonstone, and cover Your beautiful lavanya lustrous face with white sandalwood paste to prevent anyone from noticing You rushing out to the kunja to meet Your beloved Priyatama.”

And these acharyas also describe how they or rather I am personally doing each and every service required by Srimati Radharani when She is alone and with Her dearest sweet heart Shyamasundara. This means when you attain spiritual perfection you will not be left out in cold, waiting one millennium for your turn to render your individual service of fanning Sri Radha.

In the spiritual dimension of pure loving consciousness, Radha and Krishna are eternally present in millions upon millions of unlimited divine, transcendental forms. And with each form the Playful Pair are being eternally loved and served by one individual liberated prema bhakta—YOU!

Now just imagine how vast, beautiful, inconceivable and personal is the spiritual sky? Radha, Krishna and all Their loving associates with YOU in Vraja Dhama forever.
Following the lead of our Gaudiya Vaisnava acharyas, we will present the Japa Mini Meditations series in first person “I”. Thus while listening to the lila audios, one should think, “I am right there with Radha and Krishna and Their dedicated sakhis and manjaris. And I am personally offering each and every one of the many sevas being described here for the pleasure of my own individual Radha-Govinda Yugala.”

In the next audio, we will begin our Japa Mini Lila Meditation series.

Radha-Krishna asta-kaliya-lila ki jai!
Japa and lila ki jai!
Jaya Jaya Sri Radhe!

Mahanidhi Madan Gopal Das

Sometimes devotees attracted to raga-marga think that continuous chanting of Radha Nama, “Radhe! Radhe! Radhe! Radhe! Radhe! Radhe! Radhe! Radhe! is the means to perfection.

They say, “Radha is the goal, so only Radha is important. Thus when I chant my Hare Krishna japa, I am just thinking Radhe! Radhe! Radhe! Radhe! Radhe! Radhe!”

Such devotees are innocent and well-meaning, but not very clear in their understanding of Gaudiya Vaisnava tattva siddhanta. Of course, sometimes the enthusiastic chanting of Srimati Radharani’s Divine Name is and can be done on special occasions like Radhastami, Vraja Mandala Parikrama, during a Bhagavata sapataha or special festivals.

How do they get this idea? Believe it or not, this misconception of innocent devotees arises after they sincerely read the Goswami granthas. After reading they conclude that Radha’s name is everything, and we should just chant Radhe! Radhe!

There are many but we will cite one verse as an example:Gaudiya Vaisnava mahajana Sri Prabodhananda Sarasvati writes, “The nectarean name of Sri Radha—the complete form of prema, rasa and ananda—is my very life!” (Radha Rasa Sudhanidhi 97)

Yes, our purvacharayas often glorify the amazing power and fantastic benefits of chanting Radha nama in their books. However, such verses should be seen as beautiful praises of Sri Radha’s Divine Name arising from their personal loving ecstasies.

Such ecstatic premi bhaktas are described in the Srimad Bhagavatam (11.2.40): “At the stage of prema, a devotee will incessantly chant his favorite name of His beloved Bhagavan [sva priya nama kirtya]. Melting his heart, the ecstasy of prema will make him laugh, cry, become restless, and sing and dance like a madman without caring for anyone or anything.”

evam vratam sva, priya nama kirtya, jatanurago, drutacitta uccaih
hasaty atho roditi, rauti gayaty, unmade van nrtyati, lokabahyah

One should not think however that such verses are establishing a new sadhana, a more powerful mantra to chant, or a fast track to perfection. The prime sadhana for all Gaudiya Vaisnava devotees is chanting Sri Krishna nama along with meditation upon the meaning of the mantra, and the form, qualities and pastimes of Radha-Krishna who are personally present in the Hare Krishna maha-mantra.

Sri Chaitanya Mahaprabhu was not chanting Radhe! Radhe! Radhe! Radhe! Rather, Mahaprabhu chanted Krishna nama, and gave the same instruction to most everyone He met, which indirectly includes all of us. Raising His radiant golden arms into the spiritual sky, Gauranga told one and all, “Continually chant the Divine Name of Sri Krishna, and serve Krishna and the Vaisnavas, prabhu kahena krsna seva vaisnava sevana, nirantara kara krsna nama sankirtana.” (Caitanya Caritamrta 2.15.104)

In the same book wonderfully praising exclusive Radha nama chanting, Sri Prabodhananda Sarasvati also gives the conclusive truth regarding the proper sadhana for all raganugiya bhaktas.

Sri Prabodhananda Sarasvati says, “May Sri Radhika, the very life of Sri Krishna, be pleased with me when I fill my consciousness with the nectar lake of govinda-katha; and pass my days glorifying Krishna’s qualities, performing His archana and puja, and living in loving relationships with His devotees.” (Radha Rasa Sudhanidhi 115)

The conclusion of this topic and the essence of nama-bhajana for manjari bhava upasakas is given by Sri Prabodhananda Sarasvati himself in the following verse:

“I always meditate on Krishna wearing a peacock feather crown; I chant Krishna’s Divine Names; I always perform archana and puja of Sri Krishna; I chant the Krishna mantra [gopala-mantra], His best mantra; and while doing all this I continually hold the cherished desire in my heart to attain the service of Sri Radha’s beautiful lotus feet!” (Radha Rasa Sudhanidhi 259)

dhyāyantaṁ śikhi-piccha-mauli-maniśaṁ tan nāma-saṁkīrtayan
nityaṁ tac caraṇāmbujaṁ paricaran tan-mantra-varyaṁ japan
śrī rādhā padāsyam eva paramābhīnṭaṁ hṛdā dhārayan
karhi syāṁ tad anugraheṇa paramādbhutānurāgotsavaḥ

Basically, the final word is that the Hare Krishna maha-mantra means, “O Krishna, give me Radha!”

Harinama sankirtana ki jai! Radhe! Radhe! Radhe! Radhe! Radhe! Radhe! Radhe! Radhe! Radhe! Radhe! Jaya Jaya Sri Radhe!